Art History Time Line:   Culture/Art Period:  Baroque in Italy and Spain. Time: 1600's
by: E. Kanski

Define the period (purpose of the movement, and main features and characteristics.)

* Italy was the religious hub of Europe and during the 1600's Rome ruled over all in not only a religious way, but in its secular dealings as well.  Wars raged throughout all of Europe during this time and by 1648 after The Thirty Year War, left Germany in ruins. In Rome, the Pope was the greatest sponsor of art work, for he wished to make Rome the most beautiful city of the Christian world "for the greater glory of God and the Church".  By the 1600's artists of great talent centred in on Rome and were employed by the Pope.  The artist Bernini, like Michelangelo before him, was talented in sculpture, architecture and brought drawing to a new dimension.  Artists like Caravaggio, a painter, brought new life to his works by using live models from the streets, as he painted his religious directly to his canvas.  Many of these works are characterized by dramatic lighting from many natural sources, capturing a moment in time, depicting actors full of expression, like in a play production.  Works were full of emotion and expression, using diagonal thrust or action. Fresco paintings on ceilings, celebrating various stories from the bible as well as early Greek mythology were depicted in a series of panels, like the Sistine Ceiling.  Illusion was a key element in some of these works, using foreshortening and making one believe they were somewhere else, or that images were actually in motion.  These were turbulent times and this emotion and agitation was reflected in both the art and architecture of the time.  Artists did not have the intellect to understand the new sciences in their art the way Leonardo did, because Newton's ideas, as well as others could not easily be incorporated into the art work of the time.


List the main artists:
1.  Gianlorenzo Bernini (sculptor, architect)
2.  Caravaggio (painter)
3.   Artemisia Gentileschi (only female artist)
4.  Annibale Carracci (fesco-ceilings)
5.  Diego Velazquez  (Spanish)


Art work # 1
Artist: Gianlorenzo Bernini
Title: The Ecstasy of St. Theresa
Date: 1645-52
Size, medium, location:
Marble Life-size, Cornaro Chapel,
Sta. Maria della Vittoria, Rome.
Stylistic features that make this work
representational of the period:
Dramatic, emotional expression, illusion of
movement and diagonal thrust of the action.
Very rich in materials and realism.



Art work # 2
Artist: Carravaggio
Title: The Calling of St. Matthew
Date: c. 1599-1602
Size, medium, location:
oil on canvas, 11' 1" x 11' 5" (3.4 x 3.5 m)

Stylistic features that make
this work representational
of the period:
Scene of an event, dark,
uses strong hi-lights,
suggests diagonal movement
and forceful action,
and conveys emotion through
expression.






Art work # 3
Artist: Artemisia Gentileschi
Title: Judith and Maidservant with the Head of Holofernes
Date: c. 1625
Size, medium, location:
oil on canvas, 6 ½" x 4'7" (1.84 x 1.41 m)
Stylistic features that make this work
representational of the period:
Very dramatic lighting and action taking
place - the two women hear the sound of
someone approaching as they try to
carry off the decapitated head.
The tension of the situation and the use
of female protagonists make this piece
quite remarkable for the time.








Art work # 4
Artist: Annibale Carracci
Title: Ceiling Fresco
Date: 1597-1601
Size, medium, location:
Fresco on Gallery, Palozzo Farnese,
Rome.
Stylistic features that make this work
representational of the period:
Style based on realism and Venetian
art, his aim was Roman classicim.
Fresco was to depict the wedding in
the Farnese Family using the Loves
of the Classical Greek Gods.
Narrative scenes are surrounded by
painted architecture and simulated
sculpture.
Figures of nude youths in the
Classical Greek style are included in
the narrative scenes.
Illusion is incorporated in all of the
frescoes' elements , including the depicted action of thevarious scenes.


Art work #5
Artist: Diego Velazquez
Title: The Maids of Honor
Date: 1656
Size, medium, location:
Oil on canvas, 10'5" x 9' (3.2 x 2.7m)
Museo del Prado, Madrid
Stylistic features that make this work
representational of the period:
Dramatic, lighting and mystery.  This
portrait of the artist as he paints the
royal family that is very rich in
materials and realism. 
We see the king, who is watching the
progress of the work on canvas from
the centre door at the back of the
room.
Note the actual size of the canvas of this piece is acurately represented here.